George FitzGerald announces new album ‘Lima Romeo’, out 12 February 2027

Oct 23

Domino is excited to announce Lima Romeo, George FitzGerald’s new album, out on the 12th February 2027. Lima Romeo is preceded by the emotive warehouse jam “Hold” (out today), which follows recent standalone single “The Ladder”, marking the beginning of an exciting new chapter in George’s work.

George FitzGerald’s fourth full-length album is a brilliant moment of convergence in the south-east London producer’s kaleidoscopic catalogue. Across the last fifteen years, FitzGerald has established himself as someone who effortlessly crafts floor-filling dance music and gorgeously textured sonic tapestries, and on Lima Romeo, he merges these instincts to stunning effect, resulting in a rich and melodic work that further cements his position as one of electronic music’s leading lights.

Finding creative kinship with similarly genre-straddling collaborators, FitzGerald is joined on Lima Romeo by Hot Chip’s Alexis Taylor, lending his distinctive and sonorous pipes to the lovely piano ballad “Water Blues”; frequent collaborator and Otherliine partner-in-crime Lil Silva soars over the burst-and-bloom of “If You Wait”; Swedish vocalist BJOERN and fellow dance producer Lawrence Hart appear on the cybernetic and blissful “This Seat Is For You”; while Australian electro-pop sensation KUČKA lays delightfully tricky and candy-coated vocals over the zig-zag synths of “Everything Falls”.

Then there’s the dizzying “The Ladder,” formed from studio sessions with kindred spirit Ghost Culture, and “Skeleton Leaves,” written with London Grammar’s Dot Major, both of which find FitzGerald exploring the pulsing, nocturnal rhythms that define his DJ sets.

FitzGerald refers to Lima Romeo as “a document of time” that reflects a back-to-basics approach, as he embraced the tools and ways of thinking that resulted in his 2015 debut Fading Love. “One of the weird things I did over the years was that I started to get rid of instruments I'd written entire albums with,” he recalls. “I eventually thought, ‘Why the hell was I doing that?’ So I went back to my core gear that I know intimately and searched instead for other ways to explore those machines.”

“I was going back to a more homespun way of making music—working in a more immediate and sometimes lo-fi way,” FitzGerald continues. Indeed, this intimate and personal touch extends to the album’s title (which references the postcode of his studio) as well as the cover, a hat-tip to the crackling interconnectivity of ham radio that parallels how FitzGerald perceives his own creative circuitry. “You're sitting here with your machines trying to talk to people, which feels like a long-winded but beautiful method. It’s like I’m sending out call signs to people and hoping that they hear me.”

“I’ve come to see my music as a search for communication and togetherness,” FitzGerald adds. “Working in the studio with other people just unlocks something else in you. Creating something new not just for yourself is what makes the process joyous and worthwhile.”

It’s this search for connection that defines Lima Romeo, as FitzGerald further embraces the refined and deeply felt approach that has characterised his work. “The album speaks to me finding a bit more patience and balance,” he says. “So much of electronic music now is this arms race of how loud you can get, how fast you can be, how huge it can sound. If you're just chasing those things, you’re in danger of forgetting about the music.” Fear not—Lima Romeo is a truly unforgettable record that lingers with you long after its final moments