The title track showcases his remarkable range—emotionally, vocally, and stylistically. Anchored in a Stax rhythm section and punctuated with dramatic horns, it’s a dusty country-soul number about good love curdling into bad, but there’s none of the romantic recrimination that infects so many breakup songs. Rather, in his performance as much as in his lyrics, Albino conveys a warm generosity toward somebody who tried just as hard as he did to make it work.
As much as he loves performing and winning over listeners, Albino by his own admission has never felt that same connection to songwriting, but he made a breakthrough on 'Our Time in the Sun'. Working with producer Dan Auerbach, he emerges as a sharp, observant songwriter who is quick with a clever turn of phrase and open to the emotional nuance of the stories he’s telling on 'I Don’t Mind Waiting' and the raw 'Struggling With The Bottle.' “I used to struggle with writing. Okay, I used to hate it. Whenever I needed to write new songs, I would just sit there for months toiling away.” When he signed with Auerbach’s Easy Eye Sound label, however, they spent hours and hours bouncing ideas off one another, their sessions becoming a masterclass on how to write a good, solid song.
'Something clicked right away,' says Albino, "and we ended up writing 4 or 5 songs a day. Before that, it would take me half a year to write 4 or 5 songs.” Auerbach brought in some of Nashville’s finest songwriters to share their wisdom, including Pat McLaughlin, Joe Allen, and Bobby Wood. “He told me, if you’re going to build a house, you need to call some carpenters. You need to bring in the experts who do it every day for a living. It’s the same way with songs. Some of those guys have been doing this since before I was born.”
Perhaps the most important lesson, he says, was to let the song come naturally rather than try to force it. It knows what it needs and will carry you in the right direction. 'Rolling Down The 405' came to life during a break, when Albino and McLaughlin were messing around while Auerbach took a phone call. “The song came together so fast. I just started chugging on the guitar and singing lyrics off the top of my head… ‘Jimmy left me high and dry, rolling down the 401.’ It was originally the 401 because that’s one of the main highways around here. But 405 just sounded better.” Even Albino isn’t exactly sure, but he’s content to let them be whatever the listener needs them to be. He has a keen understanding of how to position a song between the specific and the universal, so that it will mean something slightly different to everybody who hears it. “The song grows from what you put into it.”
When they finally scheduled recording sessions for 'Our Time InThe Sun', “Rolling Down The 405” was the first song they tracked with a band that included some of Nashville’s finest session players. “We played the demo for the guys in the room, and everybody just understood what it needed to be.” Together, they all crafted a breezy road song with the momentum of a classic rock song and the emotional resonance of classic soul—like a JJ Cale recording. “That was the most fun I’ve had making a record, and it set the tone for the rest of the sessions.”
Albino took that excitement back home to Canada with him, and for once he’s looking forward to writing some more songs. “I feel like I grew so much just being in a room with those guys, and I’m jazzed because it shows in the songs. And I feel like I learned so much about myself and what I’m capable of. This record is the most myself I think I’ve ever sounded. I’m more comfortable in my own skin now than ever before.”
